Panasonic HC-W570M HD CamCorder

Capture both sides of the story with the Panasonic HC-W570M HD Camera and its dual camera, 90x zoom and 5-axis stabilisation that allows for natural picture-in-picture

Key Features

In addition to the 28mm wide 90× zoom camera, the Panasonic HC-W570M has a rotatable sub-camera that allows you to take shots from 2 angles at once.

The Level Shot function of this Panasonic HD Camera automatically detects and corrects recording.tilting of captured images, while 5-axis correction suppresses blurring caused by shaky hands to ensure you always get a clear and level shot.

With inbuilt Wi-Fi and NFC, the HC-V720 can connect to your smartphone or tablet to perform a variety of tasks, including remote shooting where your phone acts as a control for the camera.

With the Panasonic HC-W570M HD Camera, you can use your smartphone via Wi-Fi as another sub-camera, allowing you to shoot picture-in-picture from two completely different vantage points.

Specification

Barcode (GTIN)      

8887549580635

Categories  

Digital Video Cameras

Camera Type          

Full High Definition (FHD)

Brand           

Panasonic

Model

HC-W570M

Menu Langauges  

Arabic, Chinese, English, Hindi, Thai

Optical Zoom          

50 x

Shutter Speed (sec)          

1/8000

Display Type          

LCD

Display Size (inch)

3

Connectivity           

HDMI, USB, Wireless

Still Image Format 

JPEG

Video Format          

AVCHD, MPEG-4

Media Type 

SD, SDHC, SDXC

Product Width (cm)           

6.0

Product Depth (cm)          

12.9

Product Height (cm)         

6.2

Manufacturers Express Warranty (months)   

12

Sony FDR-AX100E 4K Ultra HD Camcorder (PAL)

The black Sony FDR-AX100E Full HD Camcorder brings 4K Ultra HD video to the palm of your hand, delivering resolution four times that of Full HD. It is compatible with European broadcast standards and is not compatible with NTSC equipment. The 1" Exmor R CMOS sensor is approximately 8x larger than that of typical camcorders, allowing you to capture cinematic images with shallow depth-of-field for defocused backgrounds. The camcorder features a wide-angle Zeiss Vario Sonnar T* lens with 12x optical zoom plus 24x Clear Image digital zoom. Optical SteadyShot image stabilization with Active Mode delivers smooth video, and 3-Way-Shake-Canceling adds electronic roll stability for even smoother results.
The FDR-AX100E is a versatile camcorder that lets you capture 4K Ultra HD 3840x2160 video at 24 and 25 fps. You can also record Full HD 1920x1080 video in XAVC S, AVCHD, or web-optimized MP4, as well as take high-quality 20MP still images. Media is recorded to SD or Memory Stick Duo memory cards. For XAVC S recording, SDXC Class 10 cards are required.
Frame your shots using either the large 3.5" XtraFine LCD touchscreen, or with the high-contrast 0.39" OLED EVF. For connectivity, the camcorder provides a USB 2.0 port, Micro HDMI output, and a Composite Video output. Built-in Wi-Fi and NFC support lets you use your smartphone or tablet to control the camera, as well as wirelessly transfer files to your mobile device for sharing, and back up data on your computer.
A rechargeable lithium-ion battery pack, AC adapter, power cord, HDMI Micro cable, and a USB connection support cable come included. Also included are a lens hood, lens cap, and RMT-835 Remote Commander with battery.

Capture 4K Ultra HD Video

Capture the finest details in 4K Ultra HD 3840 x 2160 resolution. This camcorder allows incredibly high resolution, to produce vibrant and realistic images. In addition, the fast image processor is the same one employed in professional Sony camcorder models, making it possible to record 60p movies at Full HD resolution for incredibly smooth and sharp playback, with no loss in realism, even when panning the camera and shooting moving subjects.

1" Exmor CMOS Sensor

The camcorder features Sony's first 1.0" Exmor R CMOS sensor. The back-illuminated technology improves low-light sensitivity and combines with Sony's Column A/D Conversion to reduce noise by 50%. This is great when shooting in dimly lit environments such as night landscapes or indoor scenes.

20MP Still Images

Capture high-quality 20MP still images, as well as 14.2MP (16:9) and 15MP (4:3) images. You can also take 2.1MP images while recording video.

Versatile Shooting with XAVC S, AVCHD, and MP4 Codecs

The FDR-AX100E records Full HD movies in the XAVC S format, which uses MPEG-4 AVC/H.264 codec for compression while saving files in a MP4 wrapper. The highly compressed files allow for longer record times. The camcorder also records in AVCHD, providing high-quality video for HDTV playback and Blu-ray disc burning. Additionally, the camcorder can shoot MP4 HD video, which is ideal for sharing over the internet at up to 28 Mbps. Having the ability to switch between all three of three formats makes this camcorder a versatile tool content creation. . For the greatest flexibility, you can even record AVCHD and MP4 formats simultaneously.

Carl Zeiss Vario Sonnar T* Lens with 12x Optical Zoom

The FDR-AX100E comes equipped with a Carl Zeiss Vario-Sonnar T* lens. It features a wide 35mm-equivalent focal length of 29mm, making it suitable for capturing landscapes, as well as 12x optical zoom and 24x Clear Image zoom, for getting close to the action.

BIONZ X Processor Enables High Speed 120 fps Recording

The BIONZ X Image processor enables the camcorder to create more naturally vivid and lifelike images with higher resolutions. Detail reproduction technology optimally filters edges and textures differently depending on the scene. It also features area specific noise reduction which swiftly and efficiently analyzes the subject and reduces noise. The image processor also allows you to record at 120 fps for slow-motion playback at 1/5th the speed when played back at 24 fps after post-processing.

Optical SteadyShot Image Stabilization with Active Mode

Optical SteadyShot Image Stabilization with Intelligent Active Mode is an advanced optical Image stabilization technology that corrects camera shake to capture scenes with smoothness and stability. Intelligent Active Mode analyzes video frames and provides compensation with assistance from the BIONZ X image processing engine. Whether recording movies while walking or zooming, you can capture scenes with a higher level of stability.

High Contrast 0.39" OLED EVF

The FDR-AX100E provides a high contrast 0.39" OLED Tru-Finder EVF which reproduces rich color and deep blacks. The optical design of the EVF utilizes four dual-surface aspherical lenses, allowing for a 33° wide viewing angle that is clear from edge-to-edge of the viewfinder.

Large 3.5" Xtra Fine LCD

The 3.5" Xtra Fine LCD screen features a 16:9 aspect ratio and a 921K dot resolution, delivering sharp, bright, and vivid images. The large screen allows you to compose your shots more easily, even when outdoors.

Simple Connectivity to Smartphones via Wi-Fi/NFC

Built-in Wi-Fi/NFC support enables easy connectivity with smartphones for one-touch sharing and one-touch remote control. NFC (near field communication) provides "touch connection" convenience when transferring images to Android smartphones and tablets. You simply touch your NFC-compatible device to the camcorder to establish a connection.

Multi Interface Accessory Shoe

Expand photographic and movie shooting possibilities by attaching optional accessories via the Multi Interface Shoe. Attach an electronic viewfinder, external flash, stereo microphone, or even a compatible remote control via the Multi Terminal.

Additional Feature

Supports SD/SDHC/SDXC and Memory Stick XC-HG Duo / PRO Duo (Mark 2) memory card

SDXC Class 10 cards are required for UHD 4K and HD XAVC S formats

Built-in ND filters: Off, 1/4, 1/16, 1/64

Manual focus assist: magnified display, peaking, and tracking focus

Built-in speaker (monaural)

Premium Closer Voice

My Voice Cancelling

7 Picture Effects for video and photos

LOW LUX mode

Manual iris control

Self timer

Red-eye reductio

Black/white fader effects

Face detection

CinemaTone Gamma/Color

NightShot infrared system

Airplane mode

Canon EOS C500 Cinema EOS Cameras

4K/2K Workflow
The EOS C500 fully supports both 4K and 2K image resolutions; as such, it is the ideal choice for demanding video productions across a wide gamut that ranges from high-quality commercials and TV dramas to motion-picture releases. A 4K workflow offers four times the resolution of standard high-definition acquisition, resulting in life-like theatrical presentations, a familiar, film-style workflow, full versatility during post-production, and added flexibility for visual effects.

Canon design engineers have developed a 4K/2K acquisition platform and matching workflow for the video and motion-picture industries. With 4K rapidly moving to become the de facto standard for theatrical projection, the need for high-resolution acquisition is a production reality. The EOS C500 is designed to fit seamlessly with projects shot entirely in 4K, or for mixed 4K/2K productions. Coupled to external data recorders, the EOS C500 is a true “4K powerhouse,” while still retaining the flexibility to handle standard HD workflows.

4K, 2K Multiple Output Formats

For enhanced creativity, and to accommodate a variety of workflows, the EOS C500 offers a range of 10- and 12-bit imaging modes. These comprise: 4K Output Priority Mode in resolutions up to 4096x2160 pixels; 2K Output Priority Mode in resolutions up to 2048x1080 pixels; and internal MXF File format recording up to 50 Mbps, utilizing MPEG-2 data compression at a variety of user-selectable frame rates and image resolutions.

Because the discrete needs of cinema and television production can vary from project to project, the EOS C500 offers two forms of 4K origination. Users can dynamically select either the DCI source-image format – SMPTE 2048-1:2011 standard – or the alternative, TV-centric Quad-HD source-image format – SMPTE 2036-1:2009 and ITU-R BT.1769 standards.

For added flexibility, the EOS C500 lets users select uncompressed Canon RAW output for use in both 4K and 2K productions. Instead of utilizing the built-in Compact Flash/CF storage media, Canon RAW-format output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI outputs support external monitoring. To provide proxy video sources for offline non-linear video editing systems, HD content can also be written simultaneously to dual, onboard CF cards.

2K/Full HD images can be output as either RGB 4:4:4 12-bit/10-bit or YCC 4:2:2 10-bit data for both 59.94Hz and 50Hz projects at up to 50 Mbps rates; because of data-bandwidth restrictions, recording onto the EOS C500's built-in Compact Flash/CF card drive are made at Full HD resolutions. As well as serving as a primary source for video capture, HD images streamed onto the CF card can be used as proxies for off-line editorial.

Cinema RAW Capture
The EOS C500 lets you capture images in a choice of 4K Cinema RAW and 4K Half Cinema RAW modes at frame rates up to, respectively, 60 fps and 120 fps, with 10-bit resolution. For enhanced flexibility, these two Bayer RAW modes are offered in a choice of Digital Cinema Initiatives/DCI 1.895:1 or Quad Full High Definition/QFHD 16:9 aspect ratios.

4K RAW data output from the EOS C500 image sensor can be recorded using about one-third of the space required for 4K RGB data, and Cinema RAW-based recording systems offer an enhanced degree of creative freedom during post-processing.

Primary applications for Cinema RAW include video production for high-end commercials and major motion-picture releases, in addition to footage for high-quality visual effects. 4K Cinema RAW data output can be processed using the Cinema RAW Development software application, which is available through the Canon website.

Canon MPEG-2 4:2:2 50 Mbps XF Codec
For trouble-free exchange of video and audio material, the EOS C500 uses the industry-standard Material Exchange Format (MXF) for its internal recording file structure. With MXF, video and audio are interwrapped into a single file, together with important metadata about the project. In addition to providing the highest level of compatibility with non-linear editing/NLE systems, use of MXF-format files offers integration with high-end, networked DAM (Digital Asset Management) and MAM (Media Asset Management) systems used by many TV networks and production studios.

When HD is required – either as the acquisition format, or as a proxy file system for 4K output – the EOS C500 supports the highest image quality, with Full HD 1920x1080 resolution, 50 Mbps bit rate and 4:2:2 color sampling. The system delivers outstanding results via its powerful built-in MPEG-2 XF codec and recording to Compact Flash/CF card installed within the camera body. MPEG-2 compression is fully compatible with existing industry infrastructures and non-linear editing platforms.

Canon 4K Super 35mm 16:9 CMOS Sensor
The EOS C500 features a Canon-designed Super 35mm, 16:9 CMOS sensor with full 4K resolution capable of delivering pristine-quality, 8.85-megapixel images needed for commercial applications with minimal moiré and other artifacts. Based on the same technology as the well-received EOS C300, the EOS C500's High-Sensitivity CMOS image sensor has the additional ability to directly output full 4K, 10-bit RAW Bayered data through two dedicated 3G-SDI connectors. The sensor's large, Super 35mm size lets you capture cinematic shallow depth-of-field imagery, yet maintain the enhanced image characteristics demanded by professional cinematographers.

Canon Log Gamma
The EOS C500 features a log gamma setting that sets the camera to maximize dynamic range and provide wide exposure latitude. The files produced using log format are ideal for post-production processes where corrections, color matching and grading are applied. It provides users with a high level of creative freedom in post-production without substantially degrading the image quality. When using Canon Log, the EOS C500 can provide a dynamic range up to 800%. Canon Log Gamma can be applied in any EOS C500 recording or output mode.

Fully Compatible with New & Existing EF-mount Lenses
Canon EOS C500 with EF-Lens Mount
To integrate easily into the working style and equipment array of film crews and production houses, the EOS C500 with a Canon EF-lens mount is completely compatible with all of Canon's EF lenses, including compact primes, super telephotos, specialty Tilt-Shift, Macro and Fisheye lenses - over 60 in all.

EF and L-Series Lenses
A unique combination of the world's most advanced optical, microelectronic, and precision manufacturing technologies, the Canon's EF lenses, compatible with the EOS C500, are perfected in Canon's laboratories and proven in the field. Whatever the application, whatever the budget, there are Canon EF lenses perfect for nearly every scenario. Their compatibility not only affords the Cinema EOS access to some of the finest optics on the market, it opens up myriad possibilities with Canon's superlative specialty lenses, including a range of Tilt-Shift lenses, Close-up lenses and even Canon's amazing EF 8-15mm f/4L Fisheye Zoom.

Canon EF Cinema Lenses
Canon EF Cinema lenses are designed and engineered to meet or exceed the exacting standards of working professionals. Every Canon EF Cinema lens is designed to fulfill contemporary 4K production standards, surpassing the performance requirements of any HD imaging system. Zoom lenses feature large aspherical lens elements to achieve sharp, consistent images in every shooting situation. Geared inner focusing minimizes focus-induced changes in the angle of view, rendering focus breathing virtually zero. The 11-blade aperture diaphragms ensure smooth out-of-focus areas and beautiful bokeh - and innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. EF Cinema lenses provide markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or either side of the camera. Focus markings can be switched from standard labeling to metric. Control rings are designed to maintain the proper amount of resistance with consistent operating torque. EF Cinema lenses share uniform gear position, diameter and rotation angle as well as front lens diameters, enabling the film crew to quickly change to another Canon zoom or prime lens or compatible third-party accessories like matte boxes and rods without adjustments.

Canon EF Cinema Zoom Lenses
Canon's Cinema EF Zoom lenses offer unrivaled optical performance for demanding high-end productions, available in both EF and PL mount configurations. With fluorite, aspherical lens elements and advanced optical design, these unequalled Cinema EF Zoom lenses are capable of 4K-image reproduction. The wide-angle CN-E14.5-60mm T2.6 L S/SP provides industry-leading breadth of range; the telephoto CN-E30-300mm T2.95-3.7 L S/SP rivals best-in-class zoom magnification and telephoto focal length. Together these lenses cover the range most commonly used in cinema shooting.

Canon EF Cinema Prime Lenses
The brilliant series of Cinema EF Prime lenses offers spectacular 4K-image quality in lightweight, compact designs. Three models for EF mount cameras - CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F - offer consistent form factors and marking optimized for motion picture production. Whether you shoot with a Canon EOS C500 or EOS DSLR, the compact and consistent lens design makes for excellent handling. Audiences will also love the results from the 11-blade aperture diaphragms, fast t-stops and proven Canon lens elements. Additional lenses are already under development, reflecting Canon's commitment to offer the broadest range of professional cinema lenses to meet filmmaker's needs, now and in the future.

Terminal Connectors
The EOS C500 comes complete with essential I/O interfaces via professional-grade BNC and multi-pin connectors.

Two 3G-SDI connectors output the Canon Log Gamma and audio signals at resolution and frame rates established within the EOS C500's 4K/2K priority modes.
Two Monitor connectors can be used to feed a video signal to an external monitor in 4K/2K priority mode, with a choice of either Rec709 or Wide DR color-adjustment, look-up tables (LUTs). (Marker, zebra and peaking signals can be set to output to only one of the monitor ports.) Signal format is YCC 4:2:2, 10-bit.
A Sync Out connection carries a choice of HD Sync/HD-Y or SD black burst/composite signals.
A Genlock Input can be used for synchronizing the camera with an external video device.
A Timecode In/Out connector enables the EOS C500 to either lock to external timecode or feed its internally generated timecode to external systems.
An HD/SD SDI connector serves as a standard interface for commercial HD equipment, with multiplexed audio and video signals in a digital format.
Two XLR Audio connectors are provided on the modular monitor control unit. The audio inputs provide2-channel audio recording with the ability to switch between line-level, mic-level and mic-level with phantom power supply.

Versatility, Reliability and Durability
Designed from the ground up to maximize shooting comfort and usability, the EOS C500's modular design enables different components to be added or removed as required to meet the needs of a particular shooting scenario, and also to increase the comfort of a camera operator. In addition to the core camera body, the EOS C500 features a low-angle, camera-handle extension plus a removable LCD Monitor and control panel with XLR audio inputs. (However, to accommodate the EOS C500's 3G SDI outputs, the handgrip is fixed in a single position and not removable.)

The EOS C500 features an Ultra-High Resolution 1.55 Megapixel EVF with approximately 100% field-of-view coverage for comfortable viewing and accurate image composition, focus and color adjustment. The viewfinder's angle is adjustable for additional user comfort. The Camera Control Unit features a 4-inch, 1.23 Megapixel rotating LCD screen that offers approximately 100% field-of-view coverage. Mounted onto the camera control pad, the display panel can be freely rotated to provide the operator with flexible viewing angles and convenient access to the control panel. For added flexibility, the panel can also be mounted in different positions to accommodate different viewing positions required by the operator, director or producer. Such flexibility and ease of movement makes the display easier to use than a rigid design that can be easily bumped during a shoot.

Full Manual Control
The EOS C500 incorporates a number of built-in features that camera cinematographers and camera operators need to ensure accurate exposure and color levels during production.

A versatile waveform monitor provides detailed analyses of both overall image brightness and RGB Components.
To check color balance and view the effects of white-balance adjustments, an on-board vectorscope displays real-time image hue and saturation analysis.

The EOS 500 offers full manual control of all functions, including iris, shutter speed, gain, zoom, focus and audio levels, thereby allowing the camera operators to adapt to both technical and artistic challenges during the shooting. For maximum customization, you have access to Custom Picture Settings, Custom Functions and Custom Display Options to tailor the EOS C500 precisely to your specific needs.

For situations in which conditions require critical focusing, the EOS C500 offers several focus aids. A pair of Peaking Modes and a Magnify Focus Assist are available in both standby and record mode, making it extremely easy to check and confirm critical focus settings. An Edge Monitor Focus Assist system, which was first introduced with the Canon XF Series camcorders, shows overall focus of the image plus focus status of focus-check boxes.

Slow and Fast Motion
During internal CF recording mode, the EOS C500 provides a Slow and Fast Motion Mode that can be used to record at a different frame rate than the playback frame rate, thereby resulting in either a fast or slow motion effect. Because the EOS C500 is recording real frames, and simply modifying the data playback rate, there is no overall quality loss due to interpolation; maximum image quality is maintained. In HD 1080 mode, fast motion is supported at up to 30-times normal rate and as slow as 1/1.25 sec.; in HD 720 mode, fast motion is supported up to 60-times the normal rate, and as slow as 1/2.5 seconds. In 4K/2K output modes the camera provides variable frame rate control that can be output to external recorders.

The EOS C500 incorporates an interval recording function. With this feature set, users can program the camera to record a specified number of frames at specified intervals for time-lapse capture.

WFT-E6 Wi-Fi^® unit with Remote Capabilities
The EOS C500 can be used with the optional WFT-E6A Wi-Fi transmitter to provide unique capabilities not found in competitive units. Using any web-enabled devices such as a laptop PC, smartphone or tablet, you can control and adjust a number of the EOS C500's operational functions, including camera start and stop plus shooting parameters, in addition to monitoring a remote video feed and inputting session metadata. A built-in Bluetooth sensor will communicate automatically with external GPS units to secure location data that can be embedded with your video footage.

Nikon F6 35mm SLR Autofocus Camera Body

Nikon F6 35mm SLR Autofocus Camera Body 

B&H # NIF6 MFR # 1799

The Nikon F6 is Nikon's flagship film camera that includes the latest Nikon advances such as the 11-area AF system for exceptionally high-speed autofocus operation with outstanding accuracy, and the Creative Lighting System for incomparable flash photography. And Nikon's proprietary 3D Color Matrix Metering system has been further refined for improved accuracy in scene reading.

Furthermore, the F6 offers a variety of exciting, innovative control options such as a customizable function button, built-in data back functions and shooting data memory. You can also enjoy the convenience and versatility afforded by 41 Custom Settings which allow you to fine-tune the F6 to suit your individual shooting preferences and requirements.

Metering System

Exposure Metering System includes 3D Color Matrix metering with improved algorithm, a flexible Center Weighted metering and Spot metering corresponding to any of the 11 selected focus areas

Improved AF

Autofocus system includes Multi-CAM 2000 AF Sensor Module, with advanced high-speed, high-precision 11-area AF system with 9 cross-type AF sensors. Also includes four AF Area Modes such as Single Area AF, Dynamic AF with Focus Tracking and Lock-On®, Closest Subject Priority Dynamic AF and Group Dynamic AF

Creative Lighting System

Includes i-TTL Balanced Fill-Flash (with i-TTL capable flashes), Wireless Advance Lighting capability and AUTO FP High-Speed Sync capability up to 1/8000 second

Custom Settings

41 Custom Settings allow you to fine-tune the F6 to suit your individual shooting preferences and requirements

Two-Button Reset

Pressing down two buttons simultaneously and holding them for more than 2 seconds resets various settings to their original default settings (with some exceptions)

High-Precision Shutter

Created from cutting-edge materials - DuPont™ KEVLAR® and a special aluminum alloy - the blades of the shutter unit offer unparalleled reliability and are extremely lightweight for lightning-quick movement

Data Back Functions

Selectable functions include: data imprint (in-frame or between frame), multiple exposure, and interval timer. Recorded data can be downloaded to a computer as text data via optional Data Reader MV-1.

Extremely Quiet

The shutter unit, aperture control mechanics and shutter charge motor each feature a floating-type design to suppress internal vibrations and to provide near-silent operation

Stylish, High-Durability Design

Aluminum-alloy die-cast chassis, magnesium-alloy front body and covers (top, bottom), enhanced resistance to rain and dust, aluminum-alloy back body and camera back combine to optimize reliability

Type 

35mm SLR

Lens Mount 

AF-D, AF-I, AF-S (accepts AF, AIS mounts with limitations)

Focus Modes         

One shot AF, Predictive AF & Manual

Focus Type

TTL Phase detection (11-point AF system with 9 crosshair sensors)

Focusing Range    

EV -1 to 19 (@ ISO 100 with f/1.4 lens)

Exposure Modes   

Program AE, Flexible program, Shutter priority, Aperture priority, Manual

Exposure Metering           

Three built-in exposure meters:

1005-Zone RGB 3D Color Matrix II

Flexible-size centerweighted

1% Spot (linkable to 11 focusing points)

TTL 5-Zone flash metering (with monitor preflash)

Metering Range @ ISO

100 with f/1.4 Lens  EV 0-20 in 3D Evaluative & Centerweighted metering

EV 2-20 in Spot metering

Shutter Speed        

1/8000th to 30 sec in AF mode, with sync at 1/250th sec

1/8000th to 30 min + Bulb in [M] mode

Sync up to 1/8000th sec with appropriate flashes

Exposure Compensation

±5 EV in 1/3, 1/2, or 1 EV increments

Exposure Bracketing       

2 - 7 shots, in ±1/3, 1/2, 2/3rd or 1 EV increments

ISO Range   

25-5000 (DX)

6-6400 in Manual setting

Built-in Flash          

No

Film Wind    

[S] Single shot

[CL] Continues Low-Speed (up to approx 2 frames-per-second (fps))

[CH] Continuous High-Speed ( up to 5.5 fps, or up to 8 fps with optional MB-40 Battery Pack)

[CS] Continues Silent (approx. 1 fps)

Manual

Focusing Screen   

B Type BriteView clear screen Matte II (interchangeable)

Diopter Correction   Yes (-2 to +1, with additional diopters available)

Self Timer    

10-Second delay

Remote Control     

10-pin socket (optional MC-20 with timer, or MC-30 trigger)

PC Terminal

Yes

Depth-of-Field Preview    

Yes

Mirror Lock-Up       

Yes

Multiple Exposure 

Yes

Viewfinder Info       

Metering system, In-focus indicator, Focus area, Exposure mode, Aperture & Shutter speed, AE Lock, Analog exposure display, Exposure compensation, Exposure Bracketing, Battery power, Sync speed, Flash ready light & Frame counter

LCD Information     Top LCD:

Aperture, Shutter speed, Aperture/shutter speed lock, Aperture stop, Exposure mode, Flexible Program, Exposure compensation, Autobracketing, Flash sync speed, Electronic analog display, Battery power & Frame counter

Rear LCD:

Shooting display (Normal, detailed, full display); Shooting data display (film data, frame data); Menu display (Custom Setting menu, set up menu, shooting menu, Non-CPU lens, language)

Color 

Black

Power Source        

(2) CR123A 3V batteries with provided Battery Holder MS-41

(8) AA-size or (1) Li-ion Rechargeable Battery EN-EL4a with optional MB-40 battery pack

Dimensions

6.2 x 4.7 x 3.1" (157 x 119 x 79mm) WxHxD

Weight          

2.15 lbs (975g) [without batteries]

Shipping Info

Shipping Weight      3.05 lb

Box Dimensions (WxHxD) 6.614 x 5.197 x 8.504

Nikon FM10 35mm SLR Camera with 35-70mm Lens

                                                   

Nikon FM10 35mm SLR Camera with 35-70mm Lens 

B&H # NIFM103570 MFR # 1689  Imported

A basic, all-manual SLR combination for students, the FM10 35mm SLR Camera with 35-70mm Lens will help you learn the art of photography the old fashioned way.  Load, advance, and rewind the film yourself.  Determine exposure manually with just a simple match diode centerweighted meter, and enter the settings on the aperture ring and shutter speed dial.  Use any Nikon F-mount lens which has an aperture ring.  You'll only need small, long-lasting button batteries for the meter (the shutter is all-mechanical) and some film.  The FM10 is a basic camera that's a great teaching instrument and fun, too.

An ideal 35mm SLR for students

Fully manual focusing, exposure control, film loading, film advance, and film rewind

Accepts all Nikon F-mount lenses with an aperture ring

Simple centerweighted metering and match diode system

Shutter requires no batteries

Includes fitted case

Type	35mm SLR
Lens Mount	Nikon F mount lenses(some lenses have limitations, and "G"-type lenses cannot be used with this camera)
Focus Modes	Manual
Focus Type	Manual
Focusing Range	Not applicable
Exposure Modes	Manual
Exposure Metering	Centerweighted
Metering Range @ ISO 100 with f/2.0 Lens	EV 2-19
Shutter Speed	1/2000th to 1 Second + Bulb, with sync at 1/125th second
Exposure Compensation	No
Exposure Bracketing	No
ISO Range	25-5000 (manually set)
Built-in Flash	No
Film Wind	Manual
Focusing Screen	Fixed split image screen with microprism
Diopter Correction	Interchangeable (accepts 6006/N50 diopters)
Self Timer	10-Second delay
Remote Control	Accepts standard mechanical cable release
PC Terminal	No
Depth-of-Field Preview	Yes
Mirror Lock-Up	Yes (when self timer is used)
Multiple Exposure	Yes
Viewfinder Info	+ / O / - Metering scale
LCD Information	Not applicable
Color	Silver & black
Power Source	Two 1.5-Volt LR44 alkaline batteries
Dimensions	5.5 x 3.4 x 2.0" (140 x 86 x 51mm) WxHxD
Weight	0.88 lb (397g)

SONY 24.3 Mega Pixel RX Series Cyber-shot Digital Camera

CES Best of Innovations 2013 The International CES awards innovations based on overall engineering qualities related to technical specifications and materials, aesthetics, unique features and design qualities. In the category of Digital Imaging, the Sony Cyber-shot DSC-RX1 was awarded for being the world’s first full-frame compact digital camera, featuring an advanced 35mm full-frame 24.3 MP Exmor CMOS sensor and exceptionally fast Carl Zeiss® Vario-Sonnar T* 35mm F2 fixed lens.

Incredible Image Quality in a Compact Camera

35mm full-frame sensors have previously only been available in the most high-end professional DSLR cameras. The RX1 has changed this with the world's¹ first ever 35mm full-frame compact camera.

Unprecedented Detail, Texture and Colour

At 24.3 megapixels, the awesome Exmor™ CMOS sensor is actually twice the size of many sensors available in DSLR cameras. So now you can enjoy professional image quality never available before in a compact camera. 

High Performance Fast and Bright Lens

Explore a world of creative options with the Carl Zeiss Sonnar T* lens. Designed to capture as much light as possible, this lens is exceedingly fast and bright. The newly designed optics include an Advanced Aspherical (AA) lens that helps to keep the camera compact, while providing supreme sharpness and contrast. You can also capture close-up subjects in exquisite detail using the macro switching ring on the lens barrel that instantly cuts the minimum focusing distance to just 20cm.

Sensitivity for Even the Lowest Light Conditions

Nothing comes close to the RX1 for capturing low noise handheld images in near-dark conditions without a flash. Its large sensor size boosts the camera's sensitivity range to an impressive ISO 100-25600. You can in fact adjust sensitivity to as low as ISO 50 in expanded mode² and as high as 102400 using Multi Frame Noise Reduction.

Ergonomic Designand Easy Operation

You can control the focus and aperture with your fingertips using the dedicated lens rings. You can also switch easily between focus modes using the DSLR-style focus mode dial on the front of the camera. What's more, Quick Navi mode lets you adjust camera settings quickly and intuitively via the camera's pro-style control dial and cross keys while top-mounted exposure compensation and mode dials are ergonomically placed for easy operation.

Accommodates a Range of Accessories For Shooting Stillsand Video

The RX1's new Multi Interface Shoe accommodates photo and movie shooting accessories such as flash and microphones. Developed as a common shoe for Sony Imaging products, it ensures compatibility across accessories, expanding your creative opportunities.

Turn Your Videos Into Full HD Movies
The RX1 allows you to shoot Full HD movies at 50p/60p or 25p/24p (progressive) frame rates. Shooting at 24p gives everyday footage a
film-like quality and even in low light conditions you can achieve atmospheric video. The RX1 comes with a complement of PASM exposure modes to give you absolute creative flexibility when shooting video.

More Possibilities With Every Shot
You'll enjoy wider compositional possibilities with the Auto HDR and D-Range Optimiser, bracket shooting (Exposure, DRO or White Balance) and Auto HDR shooting modes. You can even achieve straight horizons or architectural shots using a Digital Level Gauge that indicates camera pitch and camera roll on the LCD screen. With memory recall (MR) mode, you can now store and instantly recall up to three sets of camera settings.

Processing Power For The Toughest Tasks
Processing raw images is an absolute breeze with the high-speed auto-focus of this compact camera. Even the most processor-intensive tasks can be completed with amazing speed and precision, thanks to Sony's sophisticated BIONZ™ image processing engine. You can count on it to deliver 5 fps continuous shooting, ISO 14-bit RAW format conversion and shooting up to ISO 102400 (which composites multiple images to reduce noise).

Give Free Reign To Your Creativity
Bring out the character of your shot effortlessly with the Creative Style modes like Portrait, Night Scene, Autumn Leaves, Black & White and Sepia. Or add artistic touches to your shots with Picture Effects like HDR Painting, High Contrast Monochrome, Posterization, Retro Photo and Soft Focus.

Professional Editing With No Loss Of Picture Quality
You'll be able to record images in the 14-bit RAW format ensuring that you'll get the best possible quality for later image adjustment. These RAW files can be developed, edited and managed to match your personal creative vision.

Managing And Editing Made Easy With PlayMemories™
The RX1 comes pre-installed with PlayMemories™ (Lite Edition) software, allowing easy transfer, management, editing and printing of all your images. You can also download the full version of PlayMemories™ Home for free, which provides movie editing and disc burning capabilities.

Specification

IMAGE SENSOR

Type   Exmor R CMOS Sensor

Gross Pixels  Approx. 24.7 Mega Pixels

Effective Pixels        Approx. 24.3 Mega Pixels

LENS

Focal Length (f=)     35mm

Focal Length (35mm conversion) - Still Image 16:9     37mm

Focal Length (35mm conversion) - Movie 16:9  f=44mm(SteadyShot On), f=37mm(SteadyShot Off)

Focal Length (35mm conversion) - Movie 4:3    f=48mm(SteadyShot On), f=45mm(SteadyShot Off)

Clear Image Zoom   2X

LCD

Screen Size  3.0 (7.6 cms)

Number Of Dots       1228800

Name Xtra Fine / TFT LCD

Brightness Setting   Yes

SHOOTING SPECS

Imaging Processor  -

Focus Mode - Direct Manual Focus         Yes

Focus Mode - Manual Focus         Yes

Focus Mode - Multi-Point AF         Yes

Focus Mode - Center-Weighted AF          Yes

Focus Mode - Spot AF        Yes

Focus Mode - Flexible-Spot AF     Yes

Focus Mode - Flexible Spot AF (Tracking Focus)          Yes

Focus Mode - Flexible Spot AF (Face Tracking Focus)            Yes

Light Metering - Multi Pattern        Yes

Light Metering - Center-Weighted            +/- 3.0EV, 1/3EV step

Light Metering - Spot           Yes

Exposure Compensation   +/- 3.0EV, 1/3EV step

White Balance          Auto / Daylight / shade/ Cloudy / Incandescent / Flash

Shutter Speed          Program Auto(30-1/4000*) / Aperture Priority(30-1/4000*) / Shutter Priority(30-1/4000*) / Manual Exposure(Bulb, 30-1/4000*)

Self-Timer     Off / 10sec. / 2sec.

Flash Mode   Flash Off / Autoflash / Fill-flash / Slow Sync. / Rear Sync. / Wireless(with optional compliant flash)

Flash Range ISO Auto: approx. 0.75m to 21.7m(approx. 2.5feet to approx. 71.2feet), ISO 25600: up to 43.4m(142.4feet)

Auto Focus Illuminator       Yes (Auto / Off)

Aperture         F2-22

Face Detection - Mode        Auto / Off

Face Detection - Face Selection   Yes(Key, Selected-face Memory)

Face Detection - Max. No of Detectable Faces  8

Dynamic Range Optimiser            Auto/Level 1-5

SHOOTING MODE

Superior Auto           Yes

Intelligent Auto         Yes

Program Auto           Yes

Movie Mode  Yes

Panorama     Yes

Scene Selection      Yes

Picture Effect            Yes

Manual Exposure    Yes

SCENE SELECTION

Shutter Speed Priority         Yes

Aperture Priority       Yes

Manual Exposure    Yes

Night Scene  Yes

Landscape    Yes

SteadyShot   EIS (blur reduction) for Movie

PICTURE EFFECT

HDR Painting           Yes

Rich-tone Monochrome     Yes

Miniature       Yes

Toy Camera  Yes

Pop Colour    Yes

Partial Colour           Yes

Soft High-key            Yes

Water Colour            Yes

Illustration     Yes

COMPATIBLE RECORDING MEDIA

Memory Stick Duo (Still Image / Movies) Yes

SD Memory Card     Yes

SDHC Memory Card           Yes

SDXC Memory Card           Yes

Memory Stick Micro Yes

Memory Stick Micro (Mark2)           Yes

Micro SD Memory Card      Yes

Micro SDHC Memory Card            Yes

STILL IMAGE RECORDING

10M (3,648 X 2,736) 4:3 mode      Yes

Sweep Panorama HR (10,480 X 4,096)  Yes

MOVIE RECORDING

AVCHD - 1,920 X 1,080 (24M, FX)           Yes

AVCHD - 1,920 X 1,080 (17M, FH)           Yes

AVC MP4 - VGA / 640 X 480 (3M)            Yes

VGA (640 X 480 / 30fps)     Yes

OTHER FEATURES

Face Detection         Yes

Still Image Recording during movie         Yes

Smile Shutter           Yes

Grid Line        Yes

Slideshow with Music         Yes

Control for HDMI      Yes

Start-up Time            Approx. 1.0sec

Shooting Time Lag  Approx. 0.2sec

Shutter Release Time Lag Approx. 0.013sec

Shooting Interval     Approx. 0.2 sec

Built-in Microphone Stereo

Wind Noise Reduction       Off/On

Histogram Indicator Yes(On/Off)

PLAYBACK

Slide Show - Video Out      HD (HDMI)

Automatic Image Rotation Yes

USB

USB Connection - Auto (Multi-Configuration)   Yes

USB Connection - Mass Storage  Yes

USB Connection - MTP      Yes

Hi-Speed USB          Yes

Micro USB     Yes

INTERFACE

Mini HDMI     Yes

OPTIONAL ACCESSORY CAPABILITY

Tripod Receptacle    Yes

POWER SOURCE

Supplied Battery      NP-BX1 (Supplied)

AC adaptor    Yes

USB Charge Yes (supplied AC Adaptor)

USB Power Supply Yes

DIMENSIONS & WEIGHT

Dimensions (W x H x D)     113.3 x 65.4 x 69.6mm

Weight (with Battery & Memory Stick)      Approx. 482g

Weight (Body Only) Approx. 453g

SUPPLIED ACCESSORIES

Supplied Accessories         Rechargeable Battery Pack NP-BX1 / AC AdaptorAC-UD10 / Micro USB cable / Shoulder strap / Lens cap / Shoe cap / Cleaning Cloth / Instruction Manual